Tuesday, April 27, 2010

Laura Lee Guhrke: His Every Kiss

I'm keeping true to my word and am back with reviews!

At this point, I should probably thank Jen, a book clubber, because I "borrowed" books she no longer wanted to keep, aka books she wasn't planning on rereading. She was going to donate it, but I took them instead. I have the big box in my trunk (it's easier to keep in there and take out several books instead of transporting the entire box). Fear not, I will donate it after I get through the books.

So, thanks Jen! :)

And without further ado:

His Every Kiss: A-
Historical - Victorian
Grace Cheval & Dylan Moore

Everyone knows about Dylan Moore -- his brilliant talent and his pleasure-seeking ways -- but no one knows the torment that lies beneath his reckless veneer. Only one woman gets a glimpse of the forces that drive Dylan's soul, a woman who haunts his dreams and evokes his passions as no other woman ever has before.

Disgraced and destitute, Grace Cheval wants nothing to do with the seductive man who desires her. When Dylan offers her a position as governess to his newfound daughter, she knows his true intentions are dishonorable. Yet she finds this charismatic man hard to resist, and she returns his passionate kisses with a fire that matches his own. Can Dylan dare hope that this proud, spirited beauty will melt the ice around his heart? (amazon)

I was first introduced to Mr. Dylan Moore in Guilty Pleasures. He is dark, wild, an utter rake, and ...tormented.

Now, it sounds so wrong to say that I like dark, "tortured" heroes, but it's true. I don't like foppish guys. I don't like effeminate, overly expressive guys who are wont to get dramatic and start up a sobfest. (Mr. Darcy > Mr. Bingley..!)

So when we meet Moore in Guilty Pleasures, he is prolifically gambling, whoring, drinking, and smoking.

Then you start reading His Every Kiss, and you find out that he has suffered a damage that causes him to hear a perpetual whining in his ears at all hours of the day, a tragic accident for Great Britain's greatest composer. He gives up hope, but our lovely heroine, Grace, steps in and saves him. He doesn't find out who she is, what her name is, and she has disappeared.

Five years later, they meet again.

Moore also discovers he has a child - a daughter - one he has never known about. Isabel is the product of one of many affairs he's had, and when Isabel's mother dies from scarlet fever, Isabel is dropped off at Moore's house. He is, unsurprisingly, horrified.

Seeing that Grace is living in a state of near poverty, he offers her a job as a governess to his daughter. She grudgingly accepts, knowing that Moore will try to hit on her and turn her into his mistress. But what can she do? She needs the money!

Hence, their relationship starts.

For one, I'm always wary of reading a story where there is a child/ children involved. Don't get me wrong. As mean and snarky as I am, I completely love children - how could I not? I'm surrounded by children since I tutor. But children are bratty and take up a lot of time, energy, and attention. I normally like my stories to focus solely on the hero and heroine, as I read romances for their journey into love. I don't read romances to read about kids who throw temper tantrums and have issues only the most qualified therapists can being to unravel. Since most authors cannot do an adequate job writing about two people falling in love, I don't see why they feel the need to throw a kid into the mix.

Luckily, Isabel is eight, not a full-fledged teenager (*shudder*) and I was surprised to find that she brought a unique aspect to the story. I enjoyed reading about her and I liked Moore's slow transformation into a caring and loving father.

I also found Grace and Moore's story to be quite enjoyable. Grace has been badly burned from her previous marriage and unlike other dim-witted females, she works to apply what she's learned from her previous marriage.

In other words, she doesn't say "I'm not going to lose my heart as easily as I did last time!" and ten minutes later, professes her love to some random stranger on the street. She shows admirable restraint and self-control, two traits I admire greatly.

Though Moore is quite the dark, brooding figure, I must admit, I ended up giggling and rolling my eyes towards the end when he is so pathetically groveling on the ground. (The part where the two people gush about their love for each other..) He was turning the entire scene into an entirely dramatic sobfest... I guess it was an emotional thing for them both, but.... gad, man! Get a hold of yourself!

Bottom line: Despite the slight emo ending, it was a good read and I would recommend it as a fun, fast, light read.

PS: Read an excerpt here.

PPS: the back of the book is ridiculous. As long as I've been reading romances, I can not get over the atrociousness of cover art.

Eek, why is this dude shirtless in the middle of the night?

Oh right, to seduce the woman whose dress is falling off her.


Also, HI APRIL! I haven't followed up since my last entries, but I don't think I will be able to get an e-reader anytime soon. It's one of those greedy wants, haha. Your recommendations don't sound familiar to me, so I will (happily) look into it!

Also, why erotica > chick-lit?
Is it because the chick-litty females are sometimes so ...dumb? :P

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