Meredith Duran: Written On Your Skin

Written On Your Skin: C+
Mina Masters & Phineas Granville, Earl of Ashmore
Historical - Victorian

The society beauty who saved his life...
Beauty, charm, wealthy admirers: Mina Masters enjoys every luxury but freedom. To save herself from an unwanted marriage, she turns her wiles on a darkly handsome stranger. But Mina's would-be hero is playing his own deceptive game. A British spy, Phin Granville has no interest in emotional entanglements... until the night Mina saves his life by gambling her own.

The jaded spy who vowed to forget her...
Four years later, Phin inherits a title that frees him from the bloody game of espionage. But memories of the woman who saved him won't let Phin go. When he learns that Mina needs his aid, honor forces him back into the world of his nightmares.

In lives built on lies, love is the darkest secret of all...
Deception has ruled Mina's life just as it has Phin's. But as the beauty and the spy math wits in a dangerous dance, their practiced masks begin to slip, revealing a perilous attraction. And the greatest threat they face may not be traitors or murderous conspiracies, but their own dark desires... (back cover)

This is the sequel to Bound By Your Touch and Ms. Duran's third novel. I have only read her first, The Duke of Shadows, and if I'm remembering correctly, it was an enjoyable read.

This one was a little harder for me to get through.

Sometimes, I read something and I wonder if I'm just not smart enough to comprehend what's happening. There were times when I was reading this story and I thought, my goodness, what on Earth is happening?

Essentially, Ms. Duran's writing is complex and all-together good, but is sometimes a little superfluous. The narration is roundabout and I'm not quite sure if this is because the characters happen to be super complex and I am just... not. This is highly plausible, and if this is the case, it's no wonder the wording of the novel took me a while to get through.

Whether this is the case or not is rather irrelevant here. When it comes down to it, the superfluous writing made it hard for me to truly get into the story and more importantly, to stay with the story. Most of the time, I manage to finish romances in one-sitting. This story took me days to get through, and even though everything else was fine, I cannot say that I felt a kinship with the story.

In the end, that's what matters to me. I want to feel as though I'm walking away knowing the characters and their story without a haze of mild confusion.

Bottom line: Read but only if you're smart.

Liz Carlyle: Beauty Like the Night

Beauty Like the Night: A-
Helene de Severs & Camden Rutledge, Earl of Treyhern
Historical -British Regency

The daughter of London's wickedest widow, Helene de Severs left England in disgrace and has struggled to overcome her heritage. Renowned within Europe's emerging psychiatric field for her gift for healing children, she returns to England confident she has learned to govern her reckless emotions. A disastrous marriage left notoriously ruthless Camden Rutledge, Earl of Treyhern, with a traumatized child and he decides to hire a governess so that he can concentrate on other family fires. Yet the moment Helene arrives, Treyhern's cold reserve is melted by desire he long thought dead. With her elegant clothing and mountain of luggage, the woman is not who he expected. Or is she? Sometimes the workings of the mind are as dangerous as those of the heart. And soon, danger is truly everywhere... (back cover)


I like Ms. Carlyle. I feel that she stays true to the dialogue and the nuances of eighteenth and early nineteenth century Britain.

I also happen to love reunion stories. You know, the cheesy first-love, you're-the-only-one-for-me stories where years have passed and yet, the hero and heroine are still in love with each other. What is more romantic than that? (answer: nothing!)

As a novel with the two above-mentioned aspects, I devoured this rather lengthy (419 pgs) story in a matter of hours.

Helene and Cam grew up with each other due to the affair between Helene's mother and Cam's father. Both adult figures were less than stellar parents. Cam's father was inebriated most of the time, flitting from woman to woman while Helene's mother - well, she was a demimondaine.

They fell in love in the wild, unrestrained way that seventeen/eighteen year olds do. But it was more than mere teenage histrionics; lo behold, eleven long years have passed since Helene and Cam were separated and when they meet - Helene is hired as Cam's daughter's special governess - it is hard for them to control their emotions. Whatever happened in the past ...is the past... right? (Wrong!)

The angst that Helene and Cam face, I feel, is founded on realistic doubts and insecurities: both people work hard to avoid turning out like his/her respective parent, but at the same time, they struggle with the depths of their feelings they have for one another.

As I've stated in previous blog entries, I'm not fond of kids that play a vital part in the romance equation because the focus is then not on the hero and heroine, but on the child as well. And dammit, those children need a lot of attention! Though Beauty Like the Night featured Cam's little daughter, she played a cool and un-bratty character. I had no desire to, like, smack the child upside the head.

There is also a tiny little mystery-adventure at the end. It's as adventurous and thrilling as one might expect an adventure in a romance novel to be. (I mean, how can it be super duper mysterious if you know all's going to turn out well in the end?) I realize I'm being somewhat vague with the plot, but I can't help it. I dislike spoilers and so I will leave you with:

Read. Be happy. Ignore the giggle-inducing cover.
(Really, were gentlemen's breeches that tight? Because... uh... IthinkIseemalecoverartmodel'sbuttcrack. I can't ignore it, really - it's smack-dab front-center! See for yourselves!)

on a completely off-topic note

I laughed so hard while I watched this... and then thought, We're fucked.


Um, I still can't figure out how to embed videos here. Alice, you are smarter than e-blogger. You are smarter than e-blogger.

Who'm I kidding? E-blogger is completely smarter than me.

But I figured it out! Hooray!

Suzanne Collins: The Hunger Games

The Hunger Games: A+
YA fiction


Oh man, this book was good. It was really good. It was really, really good.

The United States is no longer and has given way to a nation called Panem, split into twelve districts and its Capitol. In order to have the citizens of Panem remember the cost of rebellion, the Capitol hosts The Hunger Games annually, where two kids (ages 12-18) are sent from each district to fight to the death.

Our heroine is Katniss, sixteen and toughened from the harsh conditions of living in Disctrict 12, a coal mining district. Her father passed away when she was young and when her mother went into serious depression, she took over as the head of the household, working hard to support her family. She adores Prim, her sister younger by four years.

It is time for The Reaping, and out of all applicants, Prim is the female tribute selected and Katniss quickly volunteers to go in her stead.

So starts The Hunger Games, a story that will really have you on your toes, but even greater is how it makes you think ...about life. What is love? What is death? And what do you do when you have to survive? Katniss sees the indulgence and excess in the Capitol - what is overindulgence and what is compassion? Of course, what had me in tangles was the love angle of this entire affair.

Simply put, it is quite a grand read. I rushed to Borders the next day, consumed the sequel in three-and-a-half short (but glorious) hours, and am counting down until the third is released.

It's the kind of book that makes me remember why I love reading.

Sabrina Jeffries: Never Seduce a Scoundrel

Never Seduce a Scoundrel: D-
Lady Amelia Plume & Major Lucas Winter
Historical - British Regency
The School for Ladies series

Sometimes when books are bad, I finish reading it... just to see how the ends turns out. Usually, the end isn't enough for what I consider to "redeem" the book. As in, the end might be all right, but I still close the book thinking, whaaa?

I think this book failed me on two different levels: the love scenes were pretty laughable and the plot was lame.

Amelia Plume is a decently wealthy young lady looking to get married. She dreams of adventures and passion: she spends her time reading raunchy romance novels (insert laugh here, LOL) and wants to get awaaaaay from England.

Major Lucas Winter comes to her in his completely tall, dark, and handsome form, but Amelia suspects Lucas to be up to something so she plays the part of a henwit (read: ditz). He is, in fact, looking to solve a mystery and to clear his name while at that. Some person has stolen all of his family fortunes, ruined his good family name, and Lucas wants to come down to the mystery for the sake of his family honor and for closure.

Bad news: Lucas suspects Amelia's step-mother is the bad person.

And then they go about trying to solve the mystery and then fall in love.

So, here enters the bad love scenes. Not that I'm looking for anything grand or special, but gads, the things they say to each other as they... uh... "pleasure" each other... just.. is really laughable. It's silly enough for me to be thrown out of the nice, romance-y feeling and into a what just happened here? mood.

And also enters the overly long solving the mystery plot. I lost track of what was happening and then just read it, hoping that something magnificent would happen so that I would be... oh, I don't know... romanced? But that didn't happen.

Bottom line: don't read.

Jane Austen: Persuasion

Persuasion: A+
Anne Elliot & Captain Frederick Wentworth
Historical - British Regency


It would be untrue for me to say that I am a huge fan of Ms. Austen because the only other book of hers that I've read is... yes, you've guessed it: Pride and Prejudice. And while I love Mr. Darcy with all my heart, I couldn't bring myself to read any other of her novels for the same reason I dislike reading classic literature (the whole hard, heavy, dramatic, and stiff issue).

But I seem to have forgotten how delightful Ms. Austen's writing really is. It is witty. It is genuine. And she really speaks of the matters of the heart: real feelings, honest emotions, and humor.

I finished Persuasion over the weekend and I have pretty much made up my mind to go out all her other works (read: massive glommage).

Persuasion in a nutshell would be as follows: Anne and Wentworth ("Wentworth" sounds so much better than "Frederick" to me. hehe..) were young loves, she nineteen and he twenty-three when he proposed to her. Because of Anne's snobbish and utterly idiotic family opposed the match (he was poor and was not of significant social standing), Anne turned Wentworth down.

Heartbroken, betrayed, and angry, Wentworth departed for the navy where he worked up to the prestigious rank of Captain.

Eight years have now passed. Anne is a spinster, living underneath the shadows of her shallow father and older sister. Her younger sister, Mary, has married (a surprise to us all since she is completely whiny and annoying). Anne's father mismanaged his finances and the Elliots are required to move out of their home and put it up for rent. Surprisingly, Wentworth's sister and her husband move in.

And so! Wentworth comes back to town, to stay with his sister... and then! Anne and Wentworth meet again.

With Austen, a happily-ever-after cannot be guaranteed. Her stories, though focused on love and relationships, are not category romances... which makes it even more delicious. Austen realized, two hundred something years ago, that a happily-ever-after is not what is important, it is the love story between the hero and heroine that make the story worthwhile.

I lurve it!

Bottom line: Read!

review roundup

Instead of having an individual post for each average novel, I have decided to lump them together. For books that I felt were better or worse than average, I will have a separate entry.



Candace Camp: Swept Away
Grade: C+
Historical - British Regency
Julia Armiger & Deverel Grey, Lord Stonehaven

Deverel wrongly accuses Julia's brother of stealing funds from a trustee fund. After her brother's death, she is determined to clear his name by getting close to Stonehaven. Of course, the only way she can do this is to seduce him.

Though the mystery and Julia's pursuit to clear her brother's name wasn't an eyesore to read, the relationship between Julia and Deverel was slow and superfluous. It took so long for Julia to convince Deverel of her brother's innocence that I had already given up on the mystery: who cares about the mystery? Let's just get this show on the road. This, of course, is never a good feeling to have while reading a happy romance.

Bottom line: read if bored.




Elizabeth Boyle: This Rake of Mine
Grade: C
Historical - British Regency
Miranda Mabberly & Lord Jack Tremont

Jack mistakes Miranda for his mistress, and in a very public place, kisses her, succeeding in ruining her. She disappears and comes back nine years later with as a decorum teacher with a new name at an academy for young ladies. She is given the responsibility of escorting three students home when they find themselves stranded at Jack's rundown estate.

The three girls try to set Jack and Miranda up, Miranda suspects Jack of being involved in some shady business, and then a lot of things happen in which they discover their love for each other anyway.

I'm not especially fond of Ms. Boyle's writing style, but it was readable. What I am interested in are the books to follow this one. Clearly, each of Miranda's charges will get their own book and I'm curious about their story.



Karen Hawkins: An Affair to Remember
Grade: C
Historical - British Regency
Anna Thraxton & Anthony Elliott, Earl of Greyley

I read this a month ago and I cannot really remember what happened... I think something about Anthony inheriting five unruly orphans and he hires Anna as their governess. She, who was once a peer, has to now work her for her wages since her grandfather (I think grandfather... some male figure) has wasted it away.

I actually can't remember why Anna and Anthony are at odds with each other and why they don't just hop together in bed at the very beginning. It might have been Anna's independent and stubborn nature and it might be Anthony's.... I can totally be making this up.

Seeing that I can't remember what happened a mere couple weeks after having read it, the read itself wasn't entirely thrilling.


Happy Thursday!